Electrovoice Re16 Ev Supercardioid Variable Mic

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Price: $339.00    

Product Feature

• Reduced proximity effectEffective internal pop protectionLittle off-axis colorationHum-bucking coil and steel case offerexcellent hum rejectionsBass roll-off switch

Product Description

The Electro-Voice RE16 microphone is a Variable-D dynamic supercardioid mic designed for the most exacting professional use. The blast filter, an integral part of the EV RE16 mic, permits handheld and outdoor use without "P-pops" or excessive wind noise. Utilizing the Variable-D design the RE16 mic features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A supercardioid mic, the Electro-Voice RE16 provides its greatest rejection at 150 off-axis. (Supercardioid microphones provide greatest rejection in the horizontal plane when the microphone is tilted in its most natural position 30 from horizontal, as on a boom or floor stand.) An easily operated "bass tilt" switch on the RE16 mic corrects spectrum balance for boom use and other longer-reach situations. A hum-bucking coil and screw-machined steel outer casing provides 25 dB of hum rejection. Hum pickup level is -125 dBm (re: .001 gauss field). Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex grille screen resists deformation. The exclusive nonmetallic Electro-Voice Acoustalloy diaphragm is virtually unaffected by extreme atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. The finish is non-reflecting fawn beige.

Electrovoice Re16 Ev Supercardioid Variable Mic Review

Length:: 4:08 Mins

The best description one could give to this mic is to see and hear it in action. ONE CAUTION: The supercardioid and variable-D properties also make it more vulnerable to handling noise.....artists must be counseled. This would never work for a rock vocalist or any other kind of stage acrobatics due to the handling noise. When handled with care as the video reveals, it is silky on the high end but handles mid-range dynamics with ease. Low registers are smooth; not peaked or muddy. It just has a presence and studio sound about it. It helps to have a good singer near the element; >> Teresa from YouTube won't disappoint with this Tom Snow composition. UPDATE: Do to some low-bit artifacts in Amazon's video portal, you are invited to audition a more faithful stream on YouTube: >> [...] <-- Huhh? OK, just copy/paste xVHrMNjO0Uo in the UTube Search Box.

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